Best Feature Film: Mythopathy – by Tassos Boulmetis
MYTHOPATHY is a bitter sweet comedy, about the coming of age of a young man who encounters his first emotional and sexual experiences with women, during the seventies in Greece. Changing the myths and creating his own version of the stories to serve his wants is what makes him special among his classmates, family and girls.
Best Documentary: The longest run – by Marianna Economou
Jasim and Alsaleh are underage refugees in a Greek prison. Coming from Syria and Iraq, they were arrested and accused of smuggling illegal immigrants. With unique access in the juvenile prison and court room, the film follows the two friends closely while in custody, during the trial and after the verdict, through a narrative of suspense which reveals how youngsters are forced to transport migrants across the border to Greece while the smugglers stay behind and continue their job uninterrupted. If Jasim and Alsaleh are found guilty, they will face extremely long prison sentences. Phone conversations between the imprisoned young boys and their mothers at their war-stricken countries accentuate the double enclosure that these families experience. No one knows how and when their long run will end.
Best New Vision Film: Interruption – by Yorgos Zois
A post modern theater adaptation of a classic Greek tragedy takes place in a central theater of Athens. Like every night, the audience take their seats and the play begins. Suddenly, the lights on stage go out. A group of young people, dressed in black and carrying guns, come up on stage. They apologize for the interruption and invite people from the audience to participate on stage. The audience is captivated by the ambivalence, still not realizing if this is part of the play or not. The play resumes with a main difference; life imitates art and not vice versa.