{"id":2564,"date":"2015-11-18T12:17:25","date_gmt":"2015-11-18T11:17:25","guid":{"rendered":"http:\/\/www.hellasfilmbox.de\/el\/side-events\/"},"modified":"2016-06-24T11:37:24","modified_gmt":"2016-06-24T09:37:24","slug":"side-events-2016","status":"publish","type":"page","link":"https:\/\/thegreekfilmfestivalinberlin.com\/el\/side-events-2016\/","title":{"rendered":"Side Events 2016"},"content":{"rendered":"

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[av_heading heading=’Filmmaking Masterclass By James Chressanthis (ASC, GSC)’ tag=’h2′ style=’blockquote modern-quote’ size=” subheading_active=” subheading_size=’15’ padding=’0′ color=” custom_font=”][\/av_heading]<\/p>\n

[av_heading heading=’Title: Hollywood Journey: Cinematography in the Digital Age’ tag=’h3′ style=” size=” subheading_active=” subheading_size=’15’ padding=’10’ color=” custom_font=”][\/av_heading]<\/p>\n

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Sunday, 24.01.1610.30-13.30 (masterclass) 14.00-16.00 (film) Hall2<\/strong><\/p>\n

Masterclass with cinematographer, director and digital media artist James Chressanthis, ASC, GSC. www.chreesanthis.com<\/a><\/p>\n

Masterclass Description:<\/p>\n

This is a visual journey, that presents the newest digital technology used in Hollywood, as well as the work of James Chressanthis. His beginnings in documentary in Greece and his work with American farm labor leader Cesar Chavez to ground breaking hip hop music videos to crossing the digital divide of narrative filmmaking in Hollywood.<\/p>\n

The masterclass is concluded with the screening of his feature directorial debut \u2018No Subtitles Necessary: Laszlo & Vilmos\u2019 (USA, 2008) which premiered at the Cannes Film Festival. The film was nominated for an Emmy for the PBS version and has been screened at more than 36 festivals worldwide. The recent death of legendary refugee cinematographer \u2018Vilmos\u2019 together with the amazing images of the communist revolution in Hungary, places the film amongst the most important documentations in film history.<\/p>\n

Film description:<\/p>\n

The film traces the careers of cinematographers L\u00e1szl\u00f3 Kov\u00e1cs and Vilmos Zsigmond. These lifelong friends are Hungarian expatriates who had been studying cinematography in Hungary and defected following the 1956 Soviet invasion. Coincidentally, they also photographed many of the tumultuous events during the invasion.<\/p>\n

Cut off from their homeland, they decide to go to America and as refugees struggle in the underbelly of Hollywood for ten years finally breaking into the mainstream with their pivotal contribution to cinema in films like Easy Rider, Five Easy Pieces, Paper Moon, McCabe & Mrs. Miller, Scarecrow, Frances, Close Encounters of the Third Kind and The Deer Hunter.<\/p>\n

The documentary chronicles their careers with numerous clips and testimonials from Peter Bogdanovich, Peter Fonda, Dennis Hopper, Sandra Bullock, Tatum O\u2019Neal, Sharon Stone, Barbra Streisand and others.<\/p>\n

Link to trailer:<\/p>\n

https:\/\/vimeo.com\/ondemand\/nosubtitlesnecessary\/37409694<\/a><\/p>\n

Cost: 50 EURO (MASTERCLASS AND FILM) Participants: 70<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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[av_heading heading=’Masterclass with Michael Kastenbaum (NYC)’ tag=’h2′ style=’blockquote modern-quote’ size=” subheading_active=” subheading_size=’15’ padding=’0′ color=” custom_font=”][\/av_heading]<\/p>\n

[av_heading tag=’h3′ padding=’10’ heading=’Title: Storytelling and Filmmaking: A Tool for Advocacy and Social Justice’ color=” style=” custom_font=” size=” subheading_active=” subheading_size=’15’ custom_class=”][\/av_heading]<\/p>\n

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Friday, 22.01.16 14.30-18.45 Saal 3<\/strong>
\nProgramme:
\n14.30-16.30 Workshop<\/p>\n<\/div>\n<\/div>\n

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17.15-18.45 Film screening “Burning from the Inside”, Germany\/Greece 2014,
\nD: Marsia Tzivara, 64 min, Greek-German-English with<\/p>\n<\/div>\n<\/div>\n

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German subtitles & Postheimat D: Ioanna Kryona, Greek with German Subs)<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Michael Kastenbaum \/ Producer & Director (Bio)<\/p>\n

www.michaelkastenbaum.com<\/p>\n

Michael Kastenbaum, mostly makes advocacy movies for non-profit organizations and focuses on issues that promote peace and positive change in the world. He directs and produces advocacy movies as \u2018calls-to- action\u2019. His movies challenge social issues, offer solutions and catalyze viewers to take immediate and long- term action for positive impact transformation. He has shot hundreds of films around the world and he developed a curriculum on how to make these short-form documentary films that challenge the world we leave in. Kastenbaum is Founder and Director of the Conscious Action Network, an open-source platform and collective for \u2018good\u2019 news. He teaches filmmakers and activists how to effectively use audio-visual means to send messages and he travels the world documenting remarkable people taking action on how to improve our planet.<\/p>\n

Workshop Description:<\/p>\n

Movies are the Storytellers\u2019 canvas of the 21st Century. They are Transformative, our primary art form and springboard for communication. Through Stories, our understanding of each other and our world creates a universal brotherhood. This workshop aims to teach the participants on how to be most effective in making movies as \u2018calls-to-action\u2019, and how to produce films that awaken and stir people to co-create a better world. The workshop addresses to filmmakers, activists and to all those who are interested in using audio- visual mediums to bring social change.<\/p>\n<\/div>\n

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Cost for invited filmmakers: 20 Euro (Workshop & Films)<\/strong><\/p>\n

Cost for public: 40 Euro (Workshop & films)<\/strong><\/p>\n

35 Euro (Workshop) 7 Euro (Films)<\/strong><\/p>\n

\u24d8 WORKSHOP PRICE: DONATION (in order to cover the cost of this workshop the suggested price is 35 \u20ac, but if, for whatever reason, you’re unable to donate this amount, don’t dread, you can suggest the amount you want and can pay instead! The film that you can book in addition to the workshop remains at 7 \u20ac).<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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[av_heading heading=’Contempotary Balkan Music beyong Frontiers, b-flat, Friday, 22nd January, 22.00′ tag=’h2′ style=’blockquote modern-quote’ size=” subheading_active=” subheading_size=’15’ padding=’0′ color=” custom_font=”][\/av_heading]<\/p>\n

[av_heading heading=’Dine Doneff (Kostas Theodorou) “Lost Anthropology”, b-flat, Friday, 22nd January, 22.00′ tag=’h2′ style=’blockquote modern-quote’ size=” subheading_active=” subheading_size=’15’ padding=’0′ color=” custom_font=”][\/av_heading]<\/p>\n

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SIDE EVENT SHOW FRIDAY<\/span><\/p>\n

Contempotary Balkan Music beyong Frontiers<\/span><\/p>\n

Dine Doneff (Kostas Theodorou) “Lost Anthropology”<\/span><\/p>\n

Tom Arthurs \u2013 trumpet, Antonis Anissegos \u2013 piano, Mathis Mayr \u2013 cello, Dine Doneff (Kostas Theodorou) \u2013 double bass, guit, perc, voc<\/span><\/p>\n

\u00a0<\/span><\/p>\n

Where: B-flat Jazz Club
\nRosenthaler Street 13, 10119 Berlin<\/span><\/p>\n

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[av_heading heading=’ZOTOS SINGS THEODORAKIS – Greek Songs, im b-flat, 23.01., 22:00-01:00′ tag=’h2′ style=’blockquote modern-quote’ size=” subheading_active=” subheading_size=’15’ padding=’0′ color=” custom_font=”][\/av_heading]<\/p>\n

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SIDE EVENT SHOW SATURDAY<\/span><\/p>\n

Zotos sings Theodorakis \u2013 Greek Songs<\/span><\/p>\n

\u00a0<\/span><\/p>\n

Jannis Zotos \u2013 vocal, guitars, Dalai Theofilopoulou \u2013 cello, Thanassis Zotos \u2013 perc, voc, Heiner Witte \u2013 guitar, H.D. Lorenz \u2013 bass, Thomas Alkier \u2013 drums<\/span><\/p>\n

Where: B-flat Jazz Club
\n, Rosenthaler Street 13, 10119 Berlin<\/span><\/p>\n

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\nJannis Zotos – vocal, guitars; Dalai Theofilopoulou – cello; Thanassis Zotos – perc, voc; Heiner Witte – guitar; H.D. Lorenz – bass; Thomas Alkier – drums<\/p>\n

Jannis Zotos spielte das erste Mal 1980 mit Mikis Theodorakis zusammen. Daraus ergab sich eine \u00fcber 20 j\u00e4hrige Zusammenarbeit, viele Tourneen u. Plattenproduktionen. Nun, nach 35 Jahren nahm Zotos ein Soloalbum auf, auf dem er 15 weniger bekannte Songs des Meisters interpretiert. Er begleitet sich einzig und allein mit einer E Gitarre. Dadurch bekommt die Musik einen sehr pers\u00f6nlichen, zerbrechlichen Charakter.
\nLive setzt Jannis Zotos dies allerdings mit Band um u. komplimentiert das Programm mit Songs seiner beiden letzten Alben “Siganess Phones tis Mnimis” (Lyric: Mikis Theodorakis) und “Amour fou” (Lyric: M. Polodouri\/K. Karyotakis).
\nIm Rahmen des 1. Griechischen Filmfestivals im Babylon – Hellas Film Box (21. – 24. Januar)<\/p>\n

Im Rahmen des 1. Griechischen Filmfestivals im Babylon – Hellas Filmbox Berlin (21. – 24. Januar 2016)<\/p>\n

——–<\/p>\n

Jannis Zotos worked for the first time with Mikis Theodorakis in 1981. From this developed a collaboration of over 20 years, many tours and records. Now, after 35 years he recorded a solo album, on which he interprets 15 of the lesser known songs of the great master. He accompanies his voice only with an elecrtic guitar. This is why the music has a very personal and vulnerable character.
\nLive on stage, he works with a band and complements his program with songs of his last two albums “Siganess Phones tis Mnimis” (Lyric: Mikis Theodorakis) and “Amour fou” (Lyric: M. Polodouri\/K. Karyotakis).<\/p>\n

For the first Greek Film Festival at the Babylon – Hellas Filmbox Berlin (21. – 24. January 2016)<\/p>\n

——–<\/p>\n

www.youtube.com\/watch?v=ZWls_pIjXJU<\/p>\n

www.youtube.com\/watch?v=SWbRxDXg9ls<\/p>\n

——–<\/p>\n

Jannis Zotos<\/p>\n

Jannis Zotos studierte zwischen 1984 und 1989 klassische Gitarre an der Musikhochschule \u201eHans Eisler\u201c Berlin. Zwischen 1984 und 1987 war er Mitglied der Band \u201epercussion & strings\u201c – mit Hermann Naehring (perc), Dietrich Petzold (v), Jens Naumilkat (vc), Woka Musick (cb) u.a. 1987 bis 1989 spielte er in der Band der deutschen Singer-Songwriterin Barbara Thalheim.<\/p>\n

1980 kam es bei der Auff\u00fchrung des Oratoriums \u201eCanto General\u201c (Theodorakis \/ Neruda) in Berlin zur ersten Zusammenarbeit mit dem griechischen Komponisten Mikis Theodorakis. Diese Verbindung sollte nicht mehr abrei\u00dfen. 1981 u. 1982 Auff\u00fchrungen des Volksoratoriums \u201eAxion esti\u201c (Theodorakis \/ Elytis) unter der Leitung des Komponisten, die in einer LP Aufnahme endet (erschienen bei Eterna). 1987 instrumentiert Jannis Zotos die LP \u201eGisela May singt Theodorakis\u201c (Amiga). Ab 1990 leitet er das Tour Orchester von Theodorakis, schreibt daf\u00fcr die Arrangements und begleitet Theodorakis auf seinen Tourneen in Deutschland, \u00d6sterreich, Schweiz, Luxemburg, Frankreich, Belgien, Norwegen, Holland, Spanien, T\u00fcrkei, Israel, Canada und nat\u00fcrlich Griechenland. In dieser Zeit arbeitet Jannis Zotos auch mit Maria Farantouri, George Dalara, Dimitra Galani, Maria Dimitriadi, Eli Paspala, Petros Pandis. 1990\/91 instumentiert er die CD \u201eTheodorakis sings Theodorakis\u201c (Intuition), 1995 die CD Birthday Concert \u2013 Mikis Theodorakis & Maria Farantouri\u201c (Tropical Music) und 1997 die CD \u201eTogether \u2013 Mikis Theodorakis & S\u00fclf\u00fc Livaneli\u201c (BMG). Zwischen 1997 und 2004 begleitet er auch Maria Farantouri auf ihren Tourneen in Europa u. Amerika.
\nJannis Zotos komponiert f\u00fcr Film u. Theater (\u201eDiese Landschaft ist hart wie das Schweigen \u2013 Ritsos Film, Regie: Joachim Tschirner \/ \u201eSunny Point\u201c, Spielfilm, Regie: Wolf Vogel \/ \u201eAntigon\u00e4\u201c v. Sophokles, Neues Theater Halle, Regie: Alexander Stillmark \/ \u201eDer Auftrag\u201c v. Heiner M\u00fcller, Regie: Thomas Bischoff \/ \u201eFaust I\u201c v. J.W.v.Goethe, Regie: Thomas Bischoff \/ \u201eDer Sondeur\u201c v. Jannis Ritsos, Regie: Thomas Bischoff \/ u.a.). 1998 erscheint die CD \u201eSonne u. Zeit\u201c Maria Farantouri u. Rainer Kirchmann (Lyra), zu der Jannis Zotos einen Teil der Arrangements schrieb.
\n1990 gr\u00fcndet Jannis Zotos zusammen mit seinem Bruder Thanassis Zotos die Zotos Kompania und beginnt sich intensiv mit Rembetiko Music, Asia Minor Music und traditioneller griechischer Musik zu besch\u00e4ftigen. Er intensiviert sein Bouzoukispiel und beginnt sich mit dem Oud zu spielen (Lehrer ist der syrische Oudspieler Farhan Sabah). Im Laufe der Zeit entwickelt die Zotos Kompania eine eigene, unverwechselbare Art Rembetico zu spielen. Das griechische Fernsehen ERT dreht bei einer Griechenlandtour einen Dokumentarfilm \u00fcber die Zotos Compania. 1995 erscheint die CD \u201eDeviation \u2013 Zotos Kompania live in Concert\u201c (Cooleur) und 2004 die CD \u201eLetharg\u00eda\u201c (anjoke). Die Band wird 2001 zum Folkfestival Gooik\/Belgien u. 2004 zum Tanz- und Folkfestival Rudolstadt \/ Deutschland eingeladen.
\nAb 2002 beginnt Jannis Zotos, der Tradition griechischer Komponisten folgend, Lyrik griechischer Dichter zu vertonen. Er entdeckt f\u00fcr sich die Lyrikerin Maria Polidouri (1902 \u2013 1930) und vertont elf ihrer Gedichte. Diesen Liedzyklus nennt er \u201eEROS & THANATOS\u201c und erarbeitet die Livefassung mit verschiedenen Musikern, u.a. Antonis Anissegos (p), Michael Rodach (guit), Maria Simoglou (voc, oboe), Maria Anissegou (cello), Thanassis Zotos (perc, voc).
\nAuch beginnt er mit Vertonungen von Gedichten des \u201egro\u00dfen\u201c Georgios Seferis, Odysseas Elytis u. Thodoris Gonis.
\nEine weitere Entdeckung war f\u00fcr Jannis Zotos der Dichter Mikis Theodorakis. Vor allem die fr\u00fchen Texte des Komponisten finden seine besondere Aufmerksamkeit. Er beginnt mit deren Vertonung. Diese Arbeit endet 2007 mit der CD \u201eDie leisen Stimmen der Erinnerung\u201c. Bewusst w\u00e4hlt Zotos f\u00fcr diese Songs die Form von rockigen Popsongs. F\u00fcr die Aufnahmen kann er auf vorz\u00fcgliche Musiker zur\u00fcckgreifen, Reinmar Henschke (piano), Kai Br\u00fcckner (guitar), Tomy Jordy (bass), Stefan Weeke (contrabass), Peter Michailow (drums) und Topo Gioa (percussion).<\/p>\n

Homepage: www.janniszotos.com<\/p>\n

Alle Fotos: \u00a9 by David Beecroft
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