![\"\"](\"https:\/\/thegreekfilmfestivalinberlin.com\/wp-content\/uploads\/2019\/11\/Wieland-amBhfZoo.jpg\")
\t\t\t\tWieland Speck<\/h5>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t \t\t\t\t\t\t\t \t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t<\/div>\n<\/div>[vc_empty_space height=”85px”][\/vc_column][vc_column width=”1\/3″ css=”.vc_custom_1568037169652{padding-right: 8px !important;padding-left: 8px !important;}” offset=”vc_col-lg-offset-0 vc_col-lg-3 vc_col-md-offset-0 vc_col-md-6 vc_col-sm-offset-0″]\n\t\n\t\t\t\t\t\n ![\"\"](\"https:\/\/thegreekfilmfestivalinberlin.com\/wp-content\/uploads\/2019\/11\/efi_papazachariou.jpg\")
\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n \t\t\t\t\t\t\t\t\t\t\t\t\t\t\tEfi Papazachariou<\/h5>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t \t\t\t\t\t\t\t \t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t<\/div>\n<\/div>[vc_empty_space height=”85px”][\/vc_column][vc_column width=”1\/3″]\n\t\n\t\t\t\t\t\n ![\"\"](\"https:\/\/thegreekfilmfestivalinberlin.com\/wp-content\/uploads\/2019\/11\/MH_2018.jpg\")
\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n \t\t\t\t\t\t\t\t\t\t\t\t\t\t\tMartin Hampel<\/h5>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t \t\t\t\t\t\t\t \t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t<\/div>\n<\/div>[vc_empty_space height=”85px”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\nWieland Speck<\/strong><\/h4>\n\u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03ad\u03c4\u03b7\u03c2, \u03c3\u03c5\u03b3\u03b3\u03c1\u03b1\u03c6\u03ad\u03b1\u03c2 \u03ba\u03b1\u03b9 curator, o Wieland Speck \u03c5\u03c0\u03ae\u03c1\u03be\u03b5 \u03b4\u03b9\u03b5\u03c5\u03b8\u03c5\u03bd\u03c4\u03ae\u03c2 \u03c4\u03bf\u03c5 \u03a0\u03b1\u03bd\u03bf\u03c1\u03ac\u03bc\u03b1\u03c4\u03bf\u03c2 \u03c4\u03b7\u03c2 Berlinale \u03b1\u03c0\u03cc \u03c4\u03bf 1992 \u03ad\u03c9\u03c2 \u03c4\u03bf 2017. \u0397\u03c4\u03b1\u03bd \u03bf \u03b5\u03bc\u03c0\u03bd\u03b5\u03c5\u03c3\u03c4\u03ae\u03c2 \u03c4\u03bf\u03c5 \u03b4\u03b9\u03ac\u03c3\u03b7\u03bc\u03bf\u03c5 Teddy Award \u2013 <\/span>Queer Film Award \u03c4\u03bf\u03c5 \u03c6\u03b5\u03c3\u03c4\u03b9\u03b2\u03ac\u03bb (1987). \u0393\u03b5\u03bd\u03bd\u03ae\u03b8\u03b7\u03ba\u03b5 \u03c3\u03c4\u03bf Freiburg \u03ba\u03b1\u03b9 \u03bc\u03b5\u03c4\u03b1\u03ba\u03cc\u03bc\u03b9\u03c3\u03b5 \u03c3\u03c4\u03bf \u0392\u03b5\u03c1\u03bf\u03bb\u03af\u03bd\u03bf \u03c4\u03bf 1972. \u03a3\u03c0\u03bf\u03cd\u03b4\u03b1\u03c3\u03b5 \u03b3\u03b5\u03c1\u03bc\u03b1\u03bd\u03b9\u03ba\u03ae \u03bb\u03bf\u03b3\u03bf\u03c4\u03b5\u03c7\u03bd\u03af\u03b1, \u03b4\u03c1\u03ac\u03bc\u03b1 \u03ba\u03b1\u03b9 \u03b5\u03b8\u03bd\u03bf\u03bb\u03bf\u03b3\u03af\u03b1. \u039e\u03b5\u03ba\u03af\u03bd\u03b7\u03c3\u03b5 \u03c9\u03c2 video artist \u03ba\u03b1\u03b9 \u03b1\u03ba\u03c4\u03b9\u03b2\u03b9\u03c3\u03c4\u03ae\u03c2 \u03c3\u03c4\u03bf \u03ba\u03af\u03bd\u03b7\u03bc\u03b1 \u03c4\u03c9\u03bd gay \u03ba\u03b1\u03b9 \u03b1\u03c0\u03cc \u03c4\u03bf 1982 \u03ba\u03b1\u03b9 \u03b3\u03b9\u03b1 10 \u03c7\u03c1\u03cc\u03bd\u03b9\u03b1 \u03ae\u03c4\u03b1\u03bd \u03b2\u03bf\u03b7\u03b8\u03cc\u03c2 \u03c0\u03c1\u03bf\u03b3\u03c1\u03ac\u03bc\u03bc\u03b1\u03c4\u03bf\u03c2 \u03c3\u03c4\u03b7\u03bd Berlinale. \u0391\u03bd\u03ac\u03bc\u03b5\u03c3\u03b1 \u03c3\u03c4\u03b9\u03c2 \u03ba\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u03ad\u03c2 \u03c4\u03bf\u03c5 \u03b4\u03bf\u03c5\u03bb\u03b5\u03b9\u03ad\u03c2 \u03b5\u03af\u03bd\u03b1\u03b9 \u03c4\u03b1 \u201cWestler \u2013 East of the Wall\u201d \u03ba\u03b1\u03b9 \u201cEscape to Life \u2013 The Erika and Klaus Mann Story\u201d. \u03a3\u03ae\u03bc\u03b5\u03c1\u03b1 \u03b5\u03c1\u03b3\u03ac\u03b6\u03b5\u03c4\u03b1\u03b9 \u03c9\u03c2 curator, \u03c3\u03cd\u03bc\u03b2\u03bf\u03c5\u03bb\u03bf\u03c2 \u03c0\u03c1\u03bf\u03b3\u03c1\u03b1\u03bc\u03bc\u03b1\u03c4\u03b9\u03c3\u03bc\u03bf\u03cd, \u03bb\u03ad\u03ba\u03c4\u03bf\u03c1\u03b1\u03c2 \u03c3\u03b5 \u03c0\u03b1\u03bd\u03b5\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03b9\u03b1\u03ba\u03ac \u03b9\u03b4\u03c1\u03cd\u03bc\u03b1\u03c4\u03b1, \u03b1\u03c1\u03b8\u03c1\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf\u03c2 \u03ba\u03b1\u03b9 \u03c0\u03b1\u03c1\u03bf\u03c5\u03c3\u03b9\u03b1\u03c3\u03c4\u03ae\u03c2 \u03c9\u03c2 film expert \u03c3\u03c4\u03bf arte.<\/p>\n<\/h4>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n
\u0388\u03c6\u03b7 \u03a0\u03b1\u03c0\u03b1\u03b6\u03b1\u03c7\u03b1\u03c1\u03af\u03bf\u03c5<\/strong><\/h4>\n\u03a3\u03c0\u03bf\u03cd\u03b4\u03b1\u03c3\u03b5 \u03bd\u03bf\u03bc\u03b9\u03ba\u03ac \u03ba\u03b1\u03b9 \u03c3\u03c4\u03c1\u03ac\u03c6\u03b7\u03ba\u03b5 \u03c3\u03c4\u03b7\u03bd \u03b4\u03b7\u03bc\u03bf\u03c3\u03b9\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 \u03bc\u03b5 \u03b5\u03b9\u03b4\u03b9\u03ba\u03cc\u03c4\u03b7\u03c4\u03b1 \u03c4\u03bf\u03bd \u03ba\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf, \u03c4\u03b7\u03bd \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae \u03ba\u03b1\u03b9 \u03c4\u03bf \u03b2\u03b9\u03b2\u03bb\u03af\u03bf. \u0395\u03c7\u03b5\u03b9 \u03c0\u03ac\u03c1\u03b5\u03b9 \u03c3\u03c5\u03bd\u03b5\u03bd\u03c4\u03b5\u03cd\u03be\u03b5\u03b9\u03c2 \u03c3\u03b5 \u03ba\u03b1\u03bb\u03bb\u03b9\u03c4\u03ad\u03c7\u03bd\u03b5\u03c2, \u03cc\u03c0\u03c9\u03c2 \u03bf\u03b9 <\/span>Lou Reed, Sam Shepard, Luc Besson, Bertrand Tavernier, Atom Egoyan, Peter Gabriel, Dizzy Gillespie, Nick Cave, \u039carianne Faithfull, Jarvis Cocker, Eric Burdon, Romain Gavras, Guillermo Navarro. \u0395\u03c1\u03b3\u03ac\u03c3\u03c4\u03b7\u03ba\u03b5 \u03c9\u03c2 \u03c5\u03c0\u03b5\u03cd\u03b8\u03c5\u03bd\u03b7 \u03a4\u03cd\u03c0\u03bf\u03c5 \u03ba\u03b1\u03b9 \u0395\u03c0\u03b9\u03ba\u03b5\u03c6\u03b1\u03bb\u03ae\u03c2 \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03bf\u03cd \u03c0\u03c1\u03bf\u03b3\u03c1\u03ac\u03bc\u03bc\u03b1\u03c4\u03bf\u03c2 \u03c3\u03c4\u03bf \u03a6\u03b5\u03c3\u03c4\u03b9\u03b2\u03ac\u03bb \u0398\u03b5\u03c3\u03c3\u03b1\u03bb\u03bf\u03bd\u03af\u03ba\u03b7\u03c2, \u03b1\u03bb\u03bb\u03ac \u03ba\u03b1\u03b9 \u03c9\u03c2 marketing Director \u03ba\u03b1\u03b9 promoter \u03c3\u03b5 \u03c0\u03bf\u03bb\u03bb\u03ac \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ac event \u03ba\u03b1\u03b9 \u03c3\u03c5\u03bd\u03b1\u03c5\u03bb\u03af\u03b5\u03c2. \u03a4\u03b1 \u03c4\u03b5\u03bb\u03b5\u03c5\u03c4\u03b1\u03af\u03b1 \u03c7\u03c1\u03cc\u03bd\u03b9\u03b1 \u03b5\u03c1\u03b3\u03ac\u03b6\u03b5\u03c4\u03b1\u03b9 \u03c9\u03c2 \u03c3\u03cd\u03bc\u03b2\u03bf\u03c5\u03bb\u03bf\u03c2 \u03ba\u03b1\u03b9 executive producer, \u03b5\u03bd\u03ce \u03c4\u03bf 2017 \u03ad\u03ba\u03b1\u03bd\u03b5 \u03c4\u03bf\u03bd \u03ba\u03b1\u03bb\u03bb\u03b9\u03c4\u03b5\u03c7\u03bd\u03b9\u03ba\u03cc \u03c3\u03c7\u03b5\u03b4\u03b9\u03b1\u03c3\u03bc\u03cc \u03c3\u03c4\u03b7 \u03bc\u03b5\u03b3\u03ac\u03bb\u03b7 \u03c1\u03b5\u03c4\u03c1\u03bf\u03c3\u03c0\u03b5\u03ba\u03c4\u03af\u03b2\u03b1 \u03b3\u03b9\u03b1 \u03c4\u03bf\u03bd \u039d\u03af\u03ba\u03bf \u039d\u03b9\u03ba\u03bf\u03bb\u03b1\u03ca\u03b4\u03b7 \u03b1\u03c0\u03cc \u03c4\u03bf \u0399\u03b4\u03c1\u03c5\u03bc\u03b1 \u039d\u03b9\u03ac\u03c1\u03c7\u03bf\u03c2. \u0391\u03c5\u03c4\u03ae \u03c4\u03b7\u03bd \u03c3\u03c4\u03b9\u03b3\u03bc\u03ae \u03c3\u03c5\u03bd\u03b5\u03c1\u03b3\u03ac\u03b6\u03b5\u03c4\u03b1\u03b9 \u03bc\u03b5 \u03c4\u03bf popaganda \u03ba\u03b1\u03b9 \u03c4\u03bf\u03bd \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03cc Chris James \u03b3\u03b9\u03b1 \u03c4\u03bf \u201cSons of Chaos\u201d \u03c0\u03bf\u03c5 \u03b5\u03af\u03bd\u03b1\u03b9 \u03b5\u03bc\u03c0\u03bd\u03b5\u03c5\u03c3\u03bc\u03ad\u03bd\u03bf \u03b1\u03c0\u03cc \u03c4\u03b7\u03bd \u03b5\u03c0\u03b1\u03bd\u03ac\u03c3\u03c4\u03b1\u03c3\u03b7 \u03c4\u03bf\u03c5 1821.<\/p>\n<\/h4>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n
Martin Hampel<\/strong><\/h4>\n\u0393\u03b5\u03bd\u03bd\u03ae\u03b8\u03b7\u03ba\u03b5 \u03c4\u03bf 1985 \u03c3\u03c4\u03b7\u03bd \u0393\u03b5\u03c1\u03bc\u03b1\u03bd\u03af\u03b1 \u03ba\u03b1\u03b9 \u03ac\u03c1\u03c7\u03b9\u03c3\u03b5 \u03bd\u03b1 \u03b5\u03c1\u03b3\u03ac\u03b6\u03b5\u03c4\u03b1\u03b9 \u03c9\u03c2 \u03c3\u03c5\u03bd\u03c4\u03bf\u03bd\u03b9\u03c3\u03c4\u03ae\u03c2 \u03c0\u03b1\u03c1\u03b1\u03b3\u03c9\u03b3\u03ae\u03c2 \u03c3\u03c4\u03b9\u03c2 \u03b5\u03c4\u03b1\u03b9\u03c1\u03b5\u03af\u03b5\u03c2 Twenty Twenty Vision \u03ba\u03b1\u03b9 Pallas Film \u03b1\u03c0\u03cc \u03c4\u03bf 2007. \u039f\u03b9 Twenty Twenty Vision \u03ba\u03b1\u03b9 Pallas Film (\u03bc\u03b5 managing director \u03c4\u03bf\u03bd \u0398\u03b1\u03bd\u03ac\u03c3\u03b7 \u039a\u03b1\u03c1\u03b1\u03b8\u03ac\u03bd\u03bf) \u03ba\u03ac\u03bd\u03bf\u03c5\u03bd arthouse \u03c4\u03b1\u03b9\u03bd\u03af\u03b5\u03c2 \u03bc\u03b5 \u03c0\u03bf\u03bb\u03bb\u03ad\u03c2 \u03c3\u03c5\u03bc\u03bc\u03b5\u03c4\u03bf\u03c7\u03ad\u03c2 \u03ba\u03b1\u03b9 \u03b5\u03c0\u03b9\u03c4\u03c5\u03c7\u03af\u03b5\u03c2 \u03c3\u03b5 \u03c6\u03b5\u03c3\u03c4\u03b9\u03b2\u03ac\u03bb, \u03cc\u03c0\u03c9\u03c2 \u03bf\u03b9 \u039a\u03ac\u03bd\u03bd\u03b5\u03c2, \u03c4\u03bf \u0392\u03b5\u03c1\u03bf\u03bb\u03af\u03bd\u03bf \u03ba\u03b1\u03b9 \u03b7 \u0392\u03b5\u03bd\u03b5\u03c4\u03af\u03b1. \u03a4\u03bf 2009 \u03c3\u03c5\u03bc\u03bc\u03b5\u03c4\u03b5\u03af\u03c7\u03b5 \u03c3\u03c4\u03bf post graduate course MEGA PLUS \u03c3\u03c4\u03bf Media Business School \u03ba\u03b1\u03b9 \u03c4\u03bf 2012 \u03c3\u03c5\u03bc\u03bc\u03b5\u03c4\u03b5\u03af\u03c7\u03b5 \u03c3\u03c4\u03bf EP2C post production workshop. \u0395\u03af\u03bd\u03b1\u03b9 \u03bc\u03ad\u03bb\u03bf\u03c2 \u03c4\u03b7\u03c2 \u0395\u03c5\u03c1\u03c9\u03c0\u03b1\u03ca\u03ba\u03ae\u03c2 \u0391\u03ba\u03b1\u03b4\u03b7\u03bc\u03af\u03b1\u03c2 \u039a\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf\u03c5. \u03a4\u03b1\u03b9\u03bd\u03af\u03b5\u03c2 \u03c4\u03bf\u03c5: \u201cMarek Edelman\u2026 And there was love in the Ghetto\u201d \u2013 \u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1: Jolanda Dylewska, <\/span><\/p>\n\u201cIt must be Heaven\u201d \u2013 \u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1: Elia Suleiman, \u201cAYKA\u201d \u2013\u00a0 <\/span>2018, \u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1: Sergey Dvortsevoy, \u201cSMUGGLING HENRIX\u201d \u2013 2018, \u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1: \u039c\u03ac\u03c1\u03b9\u03bf\u03c2 \u03a0\u03b9\u03c0\u03b5\u03c1\u03af\u03b4\u03b7\u03c2, \u201cMa Loute\u201d \u2013 Line Producer, 2016, \u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1: Bruno Dumont, \u201cElle\u201d \u2013 Line Producer, 2016, \u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1: Paul Verhoeven<\/p>\n<\/h4>\n
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\t\t\t\tEfi Papazachariou<\/h5>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t \t\t\t\t\t\t\t \t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t<\/div>\n<\/div>[vc_empty_space height=”85px”][\/vc_column][vc_column width=”1\/3″]\n\t\n\t\t\t\t\t\n \t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n \t\t\t\t\t\t\t\t\t\t\t\t\t\t\tMartin Hampel<\/h5>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t \t\t\t\t\t\t\t \t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t<\/div>\n<\/div>[vc_empty_space height=”85px”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\nWieland Speck<\/strong><\/h4>\n\u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03ad\u03c4\u03b7\u03c2, \u03c3\u03c5\u03b3\u03b3\u03c1\u03b1\u03c6\u03ad\u03b1\u03c2 \u03ba\u03b1\u03b9 curator, o Wieland Speck \u03c5\u03c0\u03ae\u03c1\u03be\u03b5 \u03b4\u03b9\u03b5\u03c5\u03b8\u03c5\u03bd\u03c4\u03ae\u03c2 \u03c4\u03bf\u03c5 \u03a0\u03b1\u03bd\u03bf\u03c1\u03ac\u03bc\u03b1\u03c4\u03bf\u03c2 \u03c4\u03b7\u03c2 Berlinale \u03b1\u03c0\u03cc \u03c4\u03bf 1992 \u03ad\u03c9\u03c2 \u03c4\u03bf 2017. \u0397\u03c4\u03b1\u03bd \u03bf \u03b5\u03bc\u03c0\u03bd\u03b5\u03c5\u03c3\u03c4\u03ae\u03c2 \u03c4\u03bf\u03c5 \u03b4\u03b9\u03ac\u03c3\u03b7\u03bc\u03bf\u03c5 Teddy Award \u2013 <\/span>Queer Film Award \u03c4\u03bf\u03c5 \u03c6\u03b5\u03c3\u03c4\u03b9\u03b2\u03ac\u03bb (1987). \u0393\u03b5\u03bd\u03bd\u03ae\u03b8\u03b7\u03ba\u03b5 \u03c3\u03c4\u03bf Freiburg \u03ba\u03b1\u03b9 \u03bc\u03b5\u03c4\u03b1\u03ba\u03cc\u03bc\u03b9\u03c3\u03b5 \u03c3\u03c4\u03bf \u0392\u03b5\u03c1\u03bf\u03bb\u03af\u03bd\u03bf \u03c4\u03bf 1972. \u03a3\u03c0\u03bf\u03cd\u03b4\u03b1\u03c3\u03b5 \u03b3\u03b5\u03c1\u03bc\u03b1\u03bd\u03b9\u03ba\u03ae \u03bb\u03bf\u03b3\u03bf\u03c4\u03b5\u03c7\u03bd\u03af\u03b1, \u03b4\u03c1\u03ac\u03bc\u03b1 \u03ba\u03b1\u03b9 \u03b5\u03b8\u03bd\u03bf\u03bb\u03bf\u03b3\u03af\u03b1. \u039e\u03b5\u03ba\u03af\u03bd\u03b7\u03c3\u03b5 \u03c9\u03c2 video artist \u03ba\u03b1\u03b9 \u03b1\u03ba\u03c4\u03b9\u03b2\u03b9\u03c3\u03c4\u03ae\u03c2 \u03c3\u03c4\u03bf \u03ba\u03af\u03bd\u03b7\u03bc\u03b1 \u03c4\u03c9\u03bd gay \u03ba\u03b1\u03b9 \u03b1\u03c0\u03cc \u03c4\u03bf 1982 \u03ba\u03b1\u03b9 \u03b3\u03b9\u03b1 10 \u03c7\u03c1\u03cc\u03bd\u03b9\u03b1 \u03ae\u03c4\u03b1\u03bd \u03b2\u03bf\u03b7\u03b8\u03cc\u03c2 \u03c0\u03c1\u03bf\u03b3\u03c1\u03ac\u03bc\u03bc\u03b1\u03c4\u03bf\u03c2 \u03c3\u03c4\u03b7\u03bd Berlinale. \u0391\u03bd\u03ac\u03bc\u03b5\u03c3\u03b1 \u03c3\u03c4\u03b9\u03c2 \u03ba\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u03ad\u03c2 \u03c4\u03bf\u03c5 \u03b4\u03bf\u03c5\u03bb\u03b5\u03b9\u03ad\u03c2 \u03b5\u03af\u03bd\u03b1\u03b9 \u03c4\u03b1 \u201cWestler \u2013 East of the Wall\u201d \u03ba\u03b1\u03b9 \u201cEscape to Life \u2013 The Erika and Klaus Mann Story\u201d. \u03a3\u03ae\u03bc\u03b5\u03c1\u03b1 \u03b5\u03c1\u03b3\u03ac\u03b6\u03b5\u03c4\u03b1\u03b9 \u03c9\u03c2 curator, \u03c3\u03cd\u03bc\u03b2\u03bf\u03c5\u03bb\u03bf\u03c2 \u03c0\u03c1\u03bf\u03b3\u03c1\u03b1\u03bc\u03bc\u03b1\u03c4\u03b9\u03c3\u03bc\u03bf\u03cd, \u03bb\u03ad\u03ba\u03c4\u03bf\u03c1\u03b1\u03c2 \u03c3\u03b5 \u03c0\u03b1\u03bd\u03b5\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03b9\u03b1\u03ba\u03ac \u03b9\u03b4\u03c1\u03cd\u03bc\u03b1\u03c4\u03b1, \u03b1\u03c1\u03b8\u03c1\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf\u03c2 \u03ba\u03b1\u03b9 \u03c0\u03b1\u03c1\u03bf\u03c5\u03c3\u03b9\u03b1\u03c3\u03c4\u03ae\u03c2 \u03c9\u03c2 film expert \u03c3\u03c4\u03bf arte.<\/p>\n<\/h4>\n
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\u0388\u03c6\u03b7 \u03a0\u03b1\u03c0\u03b1\u03b6\u03b1\u03c7\u03b1\u03c1\u03af\u03bf\u03c5<\/strong><\/h4>\n\u03a3\u03c0\u03bf\u03cd\u03b4\u03b1\u03c3\u03b5 \u03bd\u03bf\u03bc\u03b9\u03ba\u03ac \u03ba\u03b1\u03b9 \u03c3\u03c4\u03c1\u03ac\u03c6\u03b7\u03ba\u03b5 \u03c3\u03c4\u03b7\u03bd \u03b4\u03b7\u03bc\u03bf\u03c3\u03b9\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 \u03bc\u03b5 \u03b5\u03b9\u03b4\u03b9\u03ba\u03cc\u03c4\u03b7\u03c4\u03b1 \u03c4\u03bf\u03bd \u03ba\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf, \u03c4\u03b7\u03bd \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae \u03ba\u03b1\u03b9 \u03c4\u03bf \u03b2\u03b9\u03b2\u03bb\u03af\u03bf. \u0395\u03c7\u03b5\u03b9 \u03c0\u03ac\u03c1\u03b5\u03b9 \u03c3\u03c5\u03bd\u03b5\u03bd\u03c4\u03b5\u03cd\u03be\u03b5\u03b9\u03c2 \u03c3\u03b5 \u03ba\u03b1\u03bb\u03bb\u03b9\u03c4\u03ad\u03c7\u03bd\u03b5\u03c2, \u03cc\u03c0\u03c9\u03c2 \u03bf\u03b9 <\/span>Lou Reed, Sam Shepard, Luc Besson, Bertrand Tavernier, Atom Egoyan, Peter Gabriel, Dizzy Gillespie, Nick Cave, \u039carianne Faithfull, Jarvis Cocker, Eric Burdon, Romain Gavras, Guillermo Navarro. \u0395\u03c1\u03b3\u03ac\u03c3\u03c4\u03b7\u03ba\u03b5 \u03c9\u03c2 \u03c5\u03c0\u03b5\u03cd\u03b8\u03c5\u03bd\u03b7 \u03a4\u03cd\u03c0\u03bf\u03c5 \u03ba\u03b1\u03b9 \u0395\u03c0\u03b9\u03ba\u03b5\u03c6\u03b1\u03bb\u03ae\u03c2 \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03bf\u03cd \u03c0\u03c1\u03bf\u03b3\u03c1\u03ac\u03bc\u03bc\u03b1\u03c4\u03bf\u03c2 \u03c3\u03c4\u03bf \u03a6\u03b5\u03c3\u03c4\u03b9\u03b2\u03ac\u03bb \u0398\u03b5\u03c3\u03c3\u03b1\u03bb\u03bf\u03bd\u03af\u03ba\u03b7\u03c2, \u03b1\u03bb\u03bb\u03ac \u03ba\u03b1\u03b9 \u03c9\u03c2 marketing Director \u03ba\u03b1\u03b9 promoter \u03c3\u03b5 \u03c0\u03bf\u03bb\u03bb\u03ac \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ac event \u03ba\u03b1\u03b9 \u03c3\u03c5\u03bd\u03b1\u03c5\u03bb\u03af\u03b5\u03c2. \u03a4\u03b1 \u03c4\u03b5\u03bb\u03b5\u03c5\u03c4\u03b1\u03af\u03b1 \u03c7\u03c1\u03cc\u03bd\u03b9\u03b1 \u03b5\u03c1\u03b3\u03ac\u03b6\u03b5\u03c4\u03b1\u03b9 \u03c9\u03c2 \u03c3\u03cd\u03bc\u03b2\u03bf\u03c5\u03bb\u03bf\u03c2 \u03ba\u03b1\u03b9 executive producer, \u03b5\u03bd\u03ce \u03c4\u03bf 2017 \u03ad\u03ba\u03b1\u03bd\u03b5 \u03c4\u03bf\u03bd \u03ba\u03b1\u03bb\u03bb\u03b9\u03c4\u03b5\u03c7\u03bd\u03b9\u03ba\u03cc \u03c3\u03c7\u03b5\u03b4\u03b9\u03b1\u03c3\u03bc\u03cc \u03c3\u03c4\u03b7 \u03bc\u03b5\u03b3\u03ac\u03bb\u03b7 \u03c1\u03b5\u03c4\u03c1\u03bf\u03c3\u03c0\u03b5\u03ba\u03c4\u03af\u03b2\u03b1 \u03b3\u03b9\u03b1 \u03c4\u03bf\u03bd \u039d\u03af\u03ba\u03bf \u039d\u03b9\u03ba\u03bf\u03bb\u03b1\u03ca\u03b4\u03b7 \u03b1\u03c0\u03cc \u03c4\u03bf \u0399\u03b4\u03c1\u03c5\u03bc\u03b1 \u039d\u03b9\u03ac\u03c1\u03c7\u03bf\u03c2. \u0391\u03c5\u03c4\u03ae \u03c4\u03b7\u03bd \u03c3\u03c4\u03b9\u03b3\u03bc\u03ae \u03c3\u03c5\u03bd\u03b5\u03c1\u03b3\u03ac\u03b6\u03b5\u03c4\u03b1\u03b9 \u03bc\u03b5 \u03c4\u03bf popaganda \u03ba\u03b1\u03b9 \u03c4\u03bf\u03bd \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03cc Chris James \u03b3\u03b9\u03b1 \u03c4\u03bf \u201cSons of Chaos\u201d \u03c0\u03bf\u03c5 \u03b5\u03af\u03bd\u03b1\u03b9 \u03b5\u03bc\u03c0\u03bd\u03b5\u03c5\u03c3\u03bc\u03ad\u03bd\u03bf \u03b1\u03c0\u03cc \u03c4\u03b7\u03bd \u03b5\u03c0\u03b1\u03bd\u03ac\u03c3\u03c4\u03b1\u03c3\u03b7 \u03c4\u03bf\u03c5 1821.<\/p>\n<\/h4>\n
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Martin Hampel<\/strong><\/h4>\n\u0393\u03b5\u03bd\u03bd\u03ae\u03b8\u03b7\u03ba\u03b5 \u03c4\u03bf 1985 \u03c3\u03c4\u03b7\u03bd \u0393\u03b5\u03c1\u03bc\u03b1\u03bd\u03af\u03b1 \u03ba\u03b1\u03b9 \u03ac\u03c1\u03c7\u03b9\u03c3\u03b5 \u03bd\u03b1 \u03b5\u03c1\u03b3\u03ac\u03b6\u03b5\u03c4\u03b1\u03b9 \u03c9\u03c2 \u03c3\u03c5\u03bd\u03c4\u03bf\u03bd\u03b9\u03c3\u03c4\u03ae\u03c2 \u03c0\u03b1\u03c1\u03b1\u03b3\u03c9\u03b3\u03ae\u03c2 \u03c3\u03c4\u03b9\u03c2 \u03b5\u03c4\u03b1\u03b9\u03c1\u03b5\u03af\u03b5\u03c2 Twenty Twenty Vision \u03ba\u03b1\u03b9 Pallas Film \u03b1\u03c0\u03cc \u03c4\u03bf 2007. \u039f\u03b9 Twenty Twenty Vision \u03ba\u03b1\u03b9 Pallas Film (\u03bc\u03b5 managing director \u03c4\u03bf\u03bd \u0398\u03b1\u03bd\u03ac\u03c3\u03b7 \u039a\u03b1\u03c1\u03b1\u03b8\u03ac\u03bd\u03bf) \u03ba\u03ac\u03bd\u03bf\u03c5\u03bd arthouse \u03c4\u03b1\u03b9\u03bd\u03af\u03b5\u03c2 \u03bc\u03b5 \u03c0\u03bf\u03bb\u03bb\u03ad\u03c2 \u03c3\u03c5\u03bc\u03bc\u03b5\u03c4\u03bf\u03c7\u03ad\u03c2 \u03ba\u03b1\u03b9 \u03b5\u03c0\u03b9\u03c4\u03c5\u03c7\u03af\u03b5\u03c2 \u03c3\u03b5 \u03c6\u03b5\u03c3\u03c4\u03b9\u03b2\u03ac\u03bb, \u03cc\u03c0\u03c9\u03c2 \u03bf\u03b9 \u039a\u03ac\u03bd\u03bd\u03b5\u03c2, \u03c4\u03bf \u0392\u03b5\u03c1\u03bf\u03bb\u03af\u03bd\u03bf \u03ba\u03b1\u03b9 \u03b7 \u0392\u03b5\u03bd\u03b5\u03c4\u03af\u03b1. \u03a4\u03bf 2009 \u03c3\u03c5\u03bc\u03bc\u03b5\u03c4\u03b5\u03af\u03c7\u03b5 \u03c3\u03c4\u03bf post graduate course MEGA PLUS \u03c3\u03c4\u03bf Media Business School \u03ba\u03b1\u03b9 \u03c4\u03bf 2012 \u03c3\u03c5\u03bc\u03bc\u03b5\u03c4\u03b5\u03af\u03c7\u03b5 \u03c3\u03c4\u03bf EP2C post production workshop. \u0395\u03af\u03bd\u03b1\u03b9 \u03bc\u03ad\u03bb\u03bf\u03c2 \u03c4\u03b7\u03c2 \u0395\u03c5\u03c1\u03c9\u03c0\u03b1\u03ca\u03ba\u03ae\u03c2 \u0391\u03ba\u03b1\u03b4\u03b7\u03bc\u03af\u03b1\u03c2 \u039a\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf\u03c5. \u03a4\u03b1\u03b9\u03bd\u03af\u03b5\u03c2 \u03c4\u03bf\u03c5: \u201cMarek Edelman\u2026 And there was love in the Ghetto\u201d \u2013 \u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1: Jolanda Dylewska, <\/span><\/p>\n\u201cIt must be Heaven\u201d \u2013 \u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1: Elia Suleiman, \u201cAYKA\u201d \u2013\u00a0 <\/span>2018, \u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1: Sergey Dvortsevoy, \u201cSMUGGLING HENRIX\u201d \u2013 2018, \u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1: \u039c\u03ac\u03c1\u03b9\u03bf\u03c2 \u03a0\u03b9\u03c0\u03b5\u03c1\u03af\u03b4\u03b7\u03c2, \u201cMa Loute\u201d \u2013 Line Producer, 2016, \u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1: Bruno Dumont, \u201cElle\u201d \u2013 Line Producer, 2016, \u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1: Paul Verhoeven<\/p>\n<\/h4>\n
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\t\t\t\tMartin Hampel<\/h5>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t \t\t\t\t\t\t\t \t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t<\/div>\n<\/div>[vc_empty_space height=”85px”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\nWieland Speck<\/strong><\/h4>\n\u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03ad\u03c4\u03b7\u03c2, \u03c3\u03c5\u03b3\u03b3\u03c1\u03b1\u03c6\u03ad\u03b1\u03c2 \u03ba\u03b1\u03b9 curator, o Wieland Speck \u03c5\u03c0\u03ae\u03c1\u03be\u03b5 \u03b4\u03b9\u03b5\u03c5\u03b8\u03c5\u03bd\u03c4\u03ae\u03c2 \u03c4\u03bf\u03c5 \u03a0\u03b1\u03bd\u03bf\u03c1\u03ac\u03bc\u03b1\u03c4\u03bf\u03c2 \u03c4\u03b7\u03c2 Berlinale \u03b1\u03c0\u03cc \u03c4\u03bf 1992 \u03ad\u03c9\u03c2 \u03c4\u03bf 2017. \u0397\u03c4\u03b1\u03bd \u03bf \u03b5\u03bc\u03c0\u03bd\u03b5\u03c5\u03c3\u03c4\u03ae\u03c2 \u03c4\u03bf\u03c5 \u03b4\u03b9\u03ac\u03c3\u03b7\u03bc\u03bf\u03c5 Teddy Award \u2013 <\/span>Queer Film Award \u03c4\u03bf\u03c5 \u03c6\u03b5\u03c3\u03c4\u03b9\u03b2\u03ac\u03bb (1987). \u0393\u03b5\u03bd\u03bd\u03ae\u03b8\u03b7\u03ba\u03b5 \u03c3\u03c4\u03bf Freiburg \u03ba\u03b1\u03b9 \u03bc\u03b5\u03c4\u03b1\u03ba\u03cc\u03bc\u03b9\u03c3\u03b5 \u03c3\u03c4\u03bf \u0392\u03b5\u03c1\u03bf\u03bb\u03af\u03bd\u03bf \u03c4\u03bf 1972. \u03a3\u03c0\u03bf\u03cd\u03b4\u03b1\u03c3\u03b5 \u03b3\u03b5\u03c1\u03bc\u03b1\u03bd\u03b9\u03ba\u03ae \u03bb\u03bf\u03b3\u03bf\u03c4\u03b5\u03c7\u03bd\u03af\u03b1, \u03b4\u03c1\u03ac\u03bc\u03b1 \u03ba\u03b1\u03b9 \u03b5\u03b8\u03bd\u03bf\u03bb\u03bf\u03b3\u03af\u03b1. \u039e\u03b5\u03ba\u03af\u03bd\u03b7\u03c3\u03b5 \u03c9\u03c2 video artist \u03ba\u03b1\u03b9 \u03b1\u03ba\u03c4\u03b9\u03b2\u03b9\u03c3\u03c4\u03ae\u03c2 \u03c3\u03c4\u03bf \u03ba\u03af\u03bd\u03b7\u03bc\u03b1 \u03c4\u03c9\u03bd gay \u03ba\u03b1\u03b9 \u03b1\u03c0\u03cc \u03c4\u03bf 1982 \u03ba\u03b1\u03b9 \u03b3\u03b9\u03b1 10 \u03c7\u03c1\u03cc\u03bd\u03b9\u03b1 \u03ae\u03c4\u03b1\u03bd \u03b2\u03bf\u03b7\u03b8\u03cc\u03c2 \u03c0\u03c1\u03bf\u03b3\u03c1\u03ac\u03bc\u03bc\u03b1\u03c4\u03bf\u03c2 \u03c3\u03c4\u03b7\u03bd Berlinale. \u0391\u03bd\u03ac\u03bc\u03b5\u03c3\u03b1 \u03c3\u03c4\u03b9\u03c2 \u03ba\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u03ad\u03c2 \u03c4\u03bf\u03c5 \u03b4\u03bf\u03c5\u03bb\u03b5\u03b9\u03ad\u03c2 \u03b5\u03af\u03bd\u03b1\u03b9 \u03c4\u03b1 \u201cWestler \u2013 East of the Wall\u201d \u03ba\u03b1\u03b9 \u201cEscape to Life \u2013 The Erika and Klaus Mann Story\u201d. \u03a3\u03ae\u03bc\u03b5\u03c1\u03b1 \u03b5\u03c1\u03b3\u03ac\u03b6\u03b5\u03c4\u03b1\u03b9 \u03c9\u03c2 curator, \u03c3\u03cd\u03bc\u03b2\u03bf\u03c5\u03bb\u03bf\u03c2 \u03c0\u03c1\u03bf\u03b3\u03c1\u03b1\u03bc\u03bc\u03b1\u03c4\u03b9\u03c3\u03bc\u03bf\u03cd, \u03bb\u03ad\u03ba\u03c4\u03bf\u03c1\u03b1\u03c2 \u03c3\u03b5 \u03c0\u03b1\u03bd\u03b5\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03b9\u03b1\u03ba\u03ac \u03b9\u03b4\u03c1\u03cd\u03bc\u03b1\u03c4\u03b1, \u03b1\u03c1\u03b8\u03c1\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf\u03c2 \u03ba\u03b1\u03b9 \u03c0\u03b1\u03c1\u03bf\u03c5\u03c3\u03b9\u03b1\u03c3\u03c4\u03ae\u03c2 \u03c9\u03c2 film expert \u03c3\u03c4\u03bf arte.<\/p>\n<\/h4>\n
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\u0388\u03c6\u03b7 \u03a0\u03b1\u03c0\u03b1\u03b6\u03b1\u03c7\u03b1\u03c1\u03af\u03bf\u03c5<\/strong><\/h4>\n\u03a3\u03c0\u03bf\u03cd\u03b4\u03b1\u03c3\u03b5 \u03bd\u03bf\u03bc\u03b9\u03ba\u03ac \u03ba\u03b1\u03b9 \u03c3\u03c4\u03c1\u03ac\u03c6\u03b7\u03ba\u03b5 \u03c3\u03c4\u03b7\u03bd \u03b4\u03b7\u03bc\u03bf\u03c3\u03b9\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 \u03bc\u03b5 \u03b5\u03b9\u03b4\u03b9\u03ba\u03cc\u03c4\u03b7\u03c4\u03b1 \u03c4\u03bf\u03bd \u03ba\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf, \u03c4\u03b7\u03bd \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae \u03ba\u03b1\u03b9 \u03c4\u03bf \u03b2\u03b9\u03b2\u03bb\u03af\u03bf. \u0395\u03c7\u03b5\u03b9 \u03c0\u03ac\u03c1\u03b5\u03b9 \u03c3\u03c5\u03bd\u03b5\u03bd\u03c4\u03b5\u03cd\u03be\u03b5\u03b9\u03c2 \u03c3\u03b5 \u03ba\u03b1\u03bb\u03bb\u03b9\u03c4\u03ad\u03c7\u03bd\u03b5\u03c2, \u03cc\u03c0\u03c9\u03c2 \u03bf\u03b9 <\/span>Lou Reed, Sam Shepard, Luc Besson, Bertrand Tavernier, Atom Egoyan, Peter Gabriel, Dizzy Gillespie, Nick Cave, \u039carianne Faithfull, Jarvis Cocker, Eric Burdon, Romain Gavras, Guillermo Navarro. \u0395\u03c1\u03b3\u03ac\u03c3\u03c4\u03b7\u03ba\u03b5 \u03c9\u03c2 \u03c5\u03c0\u03b5\u03cd\u03b8\u03c5\u03bd\u03b7 \u03a4\u03cd\u03c0\u03bf\u03c5 \u03ba\u03b1\u03b9 \u0395\u03c0\u03b9\u03ba\u03b5\u03c6\u03b1\u03bb\u03ae\u03c2 \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03bf\u03cd \u03c0\u03c1\u03bf\u03b3\u03c1\u03ac\u03bc\u03bc\u03b1\u03c4\u03bf\u03c2 \u03c3\u03c4\u03bf \u03a6\u03b5\u03c3\u03c4\u03b9\u03b2\u03ac\u03bb \u0398\u03b5\u03c3\u03c3\u03b1\u03bb\u03bf\u03bd\u03af\u03ba\u03b7\u03c2, \u03b1\u03bb\u03bb\u03ac \u03ba\u03b1\u03b9 \u03c9\u03c2 marketing Director \u03ba\u03b1\u03b9 promoter \u03c3\u03b5 \u03c0\u03bf\u03bb\u03bb\u03ac \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ac event \u03ba\u03b1\u03b9 \u03c3\u03c5\u03bd\u03b1\u03c5\u03bb\u03af\u03b5\u03c2. \u03a4\u03b1 \u03c4\u03b5\u03bb\u03b5\u03c5\u03c4\u03b1\u03af\u03b1 \u03c7\u03c1\u03cc\u03bd\u03b9\u03b1 \u03b5\u03c1\u03b3\u03ac\u03b6\u03b5\u03c4\u03b1\u03b9 \u03c9\u03c2 \u03c3\u03cd\u03bc\u03b2\u03bf\u03c5\u03bb\u03bf\u03c2 \u03ba\u03b1\u03b9 executive producer, \u03b5\u03bd\u03ce \u03c4\u03bf 2017 \u03ad\u03ba\u03b1\u03bd\u03b5 \u03c4\u03bf\u03bd \u03ba\u03b1\u03bb\u03bb\u03b9\u03c4\u03b5\u03c7\u03bd\u03b9\u03ba\u03cc \u03c3\u03c7\u03b5\u03b4\u03b9\u03b1\u03c3\u03bc\u03cc \u03c3\u03c4\u03b7 \u03bc\u03b5\u03b3\u03ac\u03bb\u03b7 \u03c1\u03b5\u03c4\u03c1\u03bf\u03c3\u03c0\u03b5\u03ba\u03c4\u03af\u03b2\u03b1 \u03b3\u03b9\u03b1 \u03c4\u03bf\u03bd \u039d\u03af\u03ba\u03bf \u039d\u03b9\u03ba\u03bf\u03bb\u03b1\u03ca\u03b4\u03b7 \u03b1\u03c0\u03cc \u03c4\u03bf \u0399\u03b4\u03c1\u03c5\u03bc\u03b1 \u039d\u03b9\u03ac\u03c1\u03c7\u03bf\u03c2. \u0391\u03c5\u03c4\u03ae \u03c4\u03b7\u03bd \u03c3\u03c4\u03b9\u03b3\u03bc\u03ae \u03c3\u03c5\u03bd\u03b5\u03c1\u03b3\u03ac\u03b6\u03b5\u03c4\u03b1\u03b9 \u03bc\u03b5 \u03c4\u03bf popaganda \u03ba\u03b1\u03b9 \u03c4\u03bf\u03bd \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03cc Chris James \u03b3\u03b9\u03b1 \u03c4\u03bf \u201cSons of Chaos\u201d \u03c0\u03bf\u03c5 \u03b5\u03af\u03bd\u03b1\u03b9 \u03b5\u03bc\u03c0\u03bd\u03b5\u03c5\u03c3\u03bc\u03ad\u03bd\u03bf \u03b1\u03c0\u03cc \u03c4\u03b7\u03bd \u03b5\u03c0\u03b1\u03bd\u03ac\u03c3\u03c4\u03b1\u03c3\u03b7 \u03c4\u03bf\u03c5 1821.<\/p>\n<\/h4>\n
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Martin Hampel<\/strong><\/h4>\n\u0393\u03b5\u03bd\u03bd\u03ae\u03b8\u03b7\u03ba\u03b5 \u03c4\u03bf 1985 \u03c3\u03c4\u03b7\u03bd \u0393\u03b5\u03c1\u03bc\u03b1\u03bd\u03af\u03b1 \u03ba\u03b1\u03b9 \u03ac\u03c1\u03c7\u03b9\u03c3\u03b5 \u03bd\u03b1 \u03b5\u03c1\u03b3\u03ac\u03b6\u03b5\u03c4\u03b1\u03b9 \u03c9\u03c2 \u03c3\u03c5\u03bd\u03c4\u03bf\u03bd\u03b9\u03c3\u03c4\u03ae\u03c2 \u03c0\u03b1\u03c1\u03b1\u03b3\u03c9\u03b3\u03ae\u03c2 \u03c3\u03c4\u03b9\u03c2 \u03b5\u03c4\u03b1\u03b9\u03c1\u03b5\u03af\u03b5\u03c2 Twenty Twenty Vision \u03ba\u03b1\u03b9 Pallas Film \u03b1\u03c0\u03cc \u03c4\u03bf 2007. \u039f\u03b9 Twenty Twenty Vision \u03ba\u03b1\u03b9 Pallas Film (\u03bc\u03b5 managing director \u03c4\u03bf\u03bd \u0398\u03b1\u03bd\u03ac\u03c3\u03b7 \u039a\u03b1\u03c1\u03b1\u03b8\u03ac\u03bd\u03bf) \u03ba\u03ac\u03bd\u03bf\u03c5\u03bd arthouse \u03c4\u03b1\u03b9\u03bd\u03af\u03b5\u03c2 \u03bc\u03b5 \u03c0\u03bf\u03bb\u03bb\u03ad\u03c2 \u03c3\u03c5\u03bc\u03bc\u03b5\u03c4\u03bf\u03c7\u03ad\u03c2 \u03ba\u03b1\u03b9 \u03b5\u03c0\u03b9\u03c4\u03c5\u03c7\u03af\u03b5\u03c2 \u03c3\u03b5 \u03c6\u03b5\u03c3\u03c4\u03b9\u03b2\u03ac\u03bb, \u03cc\u03c0\u03c9\u03c2 \u03bf\u03b9 \u039a\u03ac\u03bd\u03bd\u03b5\u03c2, \u03c4\u03bf \u0392\u03b5\u03c1\u03bf\u03bb\u03af\u03bd\u03bf \u03ba\u03b1\u03b9 \u03b7 \u0392\u03b5\u03bd\u03b5\u03c4\u03af\u03b1. \u03a4\u03bf 2009 \u03c3\u03c5\u03bc\u03bc\u03b5\u03c4\u03b5\u03af\u03c7\u03b5 \u03c3\u03c4\u03bf post graduate course MEGA PLUS \u03c3\u03c4\u03bf Media Business School \u03ba\u03b1\u03b9 \u03c4\u03bf 2012 \u03c3\u03c5\u03bc\u03bc\u03b5\u03c4\u03b5\u03af\u03c7\u03b5 \u03c3\u03c4\u03bf EP2C post production workshop. \u0395\u03af\u03bd\u03b1\u03b9 \u03bc\u03ad\u03bb\u03bf\u03c2 \u03c4\u03b7\u03c2 \u0395\u03c5\u03c1\u03c9\u03c0\u03b1\u03ca\u03ba\u03ae\u03c2 \u0391\u03ba\u03b1\u03b4\u03b7\u03bc\u03af\u03b1\u03c2 \u039a\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf\u03c5. \u03a4\u03b1\u03b9\u03bd\u03af\u03b5\u03c2 \u03c4\u03bf\u03c5: \u201cMarek Edelman\u2026 And there was love in the Ghetto\u201d \u2013 \u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1: Jolanda Dylewska, <\/span><\/p>\n\u201cIt must be Heaven\u201d \u2013 \u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1: Elia Suleiman, \u201cAYKA\u201d \u2013\u00a0 <\/span>2018, \u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1: Sergey Dvortsevoy, \u201cSMUGGLING HENRIX\u201d \u2013 2018, \u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1: \u039c\u03ac\u03c1\u03b9\u03bf\u03c2 \u03a0\u03b9\u03c0\u03b5\u03c1\u03af\u03b4\u03b7\u03c2, \u201cMa Loute\u201d \u2013 Line Producer, 2016, \u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1: Bruno Dumont, \u201cElle\u201d \u2013 Line Producer, 2016, \u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1: Paul Verhoeven<\/p>\n<\/h4>\n
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[vc_row][vc_column width=”1\/3″ css=”.vc_custom_1568037155852{padding-right: 8px !important;padding-left: 8px !important;}” offset=”vc_col-lg-offset-0 vc_col-lg-3 vc_col-md-offset-0 vc_col-md-6 vc_col-sm-offset-0″][vc_empty_space height=”85px”][\/vc_column][vc_column width=”1\/3″ css=”.vc_custom_1568037169652{padding-right: 8px !important;padding-left: 8px !important;}” offset=”vc_col-lg-offset-0 vc_col-lg-3 vc_col-md-offset-0 vc_col-md-6 vc_col-sm-offset-0″][vc_empty_space height=”85px”][\/vc_column][vc_column width=”1\/3″][vc_empty_space height=”85px”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text] Wieland Speck \u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03ad\u03c4\u03b7\u03c2, \u03c3\u03c5\u03b3\u03b3\u03c1\u03b1\u03c6\u03ad\u03b1\u03c2 \u03ba\u03b1\u03b9 curator, o Wieland Speck \u03c5\u03c0\u03ae\u03c1\u03be\u03b5 \u03b4\u03b9\u03b5\u03c5\u03b8\u03c5\u03bd\u03c4\u03ae\u03c2 \u03c4\u03bf\u03c5 \u03a0\u03b1\u03bd\u03bf\u03c1\u03ac\u03bc\u03b1\u03c4\u03bf\u03c2 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-22515","page","type-page","status-publish","hentry"],"yoast_head":"\n
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\u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03ad\u03c4\u03b7\u03c2, \u03c3\u03c5\u03b3\u03b3\u03c1\u03b1\u03c6\u03ad\u03b1\u03c2 \u03ba\u03b1\u03b9 curator, o Wieland Speck \u03c5\u03c0\u03ae\u03c1\u03be\u03b5 \u03b4\u03b9\u03b5\u03c5\u03b8\u03c5\u03bd\u03c4\u03ae\u03c2 \u03c4\u03bf\u03c5 \u03a0\u03b1\u03bd\u03bf\u03c1\u03ac\u03bc\u03b1\u03c4\u03bf\u03c2 \u03c4\u03b7\u03c2 Berlinale \u03b1\u03c0\u03cc \u03c4\u03bf 1992 \u03ad\u03c9\u03c2 \u03c4\u03bf 2017. \u0397\u03c4\u03b1\u03bd \u03bf \u03b5\u03bc\u03c0\u03bd\u03b5\u03c5\u03c3\u03c4\u03ae\u03c2 \u03c4\u03bf\u03c5 \u03b4\u03b9\u03ac\u03c3\u03b7\u03bc\u03bf\u03c5 Teddy Award \u2013 <\/span>Queer Film Award \u03c4\u03bf\u03c5 \u03c6\u03b5\u03c3\u03c4\u03b9\u03b2\u03ac\u03bb (1987). \u0393\u03b5\u03bd\u03bd\u03ae\u03b8\u03b7\u03ba\u03b5 \u03c3\u03c4\u03bf Freiburg \u03ba\u03b1\u03b9 \u03bc\u03b5\u03c4\u03b1\u03ba\u03cc\u03bc\u03b9\u03c3\u03b5 \u03c3\u03c4\u03bf \u0392\u03b5\u03c1\u03bf\u03bb\u03af\u03bd\u03bf \u03c4\u03bf 1972. \u03a3\u03c0\u03bf\u03cd\u03b4\u03b1\u03c3\u03b5 \u03b3\u03b5\u03c1\u03bc\u03b1\u03bd\u03b9\u03ba\u03ae \u03bb\u03bf\u03b3\u03bf\u03c4\u03b5\u03c7\u03bd\u03af\u03b1, \u03b4\u03c1\u03ac\u03bc\u03b1 \u03ba\u03b1\u03b9 \u03b5\u03b8\u03bd\u03bf\u03bb\u03bf\u03b3\u03af\u03b1. \u039e\u03b5\u03ba\u03af\u03bd\u03b7\u03c3\u03b5 \u03c9\u03c2 video artist \u03ba\u03b1\u03b9 \u03b1\u03ba\u03c4\u03b9\u03b2\u03b9\u03c3\u03c4\u03ae\u03c2 \u03c3\u03c4\u03bf \u03ba\u03af\u03bd\u03b7\u03bc\u03b1 \u03c4\u03c9\u03bd gay \u03ba\u03b1\u03b9 \u03b1\u03c0\u03cc \u03c4\u03bf 1982 \u03ba\u03b1\u03b9 \u03b3\u03b9\u03b1 10 \u03c7\u03c1\u03cc\u03bd\u03b9\u03b1 \u03ae\u03c4\u03b1\u03bd \u03b2\u03bf\u03b7\u03b8\u03cc\u03c2 \u03c0\u03c1\u03bf\u03b3\u03c1\u03ac\u03bc\u03bc\u03b1\u03c4\u03bf\u03c2 \u03c3\u03c4\u03b7\u03bd Berlinale. \u0391\u03bd\u03ac\u03bc\u03b5\u03c3\u03b1 \u03c3\u03c4\u03b9\u03c2 \u03ba\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u03ad\u03c2 \u03c4\u03bf\u03c5 \u03b4\u03bf\u03c5\u03bb\u03b5\u03b9\u03ad\u03c2 \u03b5\u03af\u03bd\u03b1\u03b9 \u03c4\u03b1 \u201cWestler \u2013 East of the Wall\u201d \u03ba\u03b1\u03b9 \u201cEscape to Life \u2013 The Erika and Klaus Mann Story\u201d. \u03a3\u03ae\u03bc\u03b5\u03c1\u03b1 \u03b5\u03c1\u03b3\u03ac\u03b6\u03b5\u03c4\u03b1\u03b9 \u03c9\u03c2 curator, \u03c3\u03cd\u03bc\u03b2\u03bf\u03c5\u03bb\u03bf\u03c2 \u03c0\u03c1\u03bf\u03b3\u03c1\u03b1\u03bc\u03bc\u03b1\u03c4\u03b9\u03c3\u03bc\u03bf\u03cd, \u03bb\u03ad\u03ba\u03c4\u03bf\u03c1\u03b1\u03c2 \u03c3\u03b5 \u03c0\u03b1\u03bd\u03b5\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03b9\u03b1\u03ba\u03ac \u03b9\u03b4\u03c1\u03cd\u03bc\u03b1\u03c4\u03b1, \u03b1\u03c1\u03b8\u03c1\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf\u03c2 \u03ba\u03b1\u03b9 \u03c0\u03b1\u03c1\u03bf\u03c5\u03c3\u03b9\u03b1\u03c3\u03c4\u03ae\u03c2 \u03c9\u03c2 film expert \u03c3\u03c4\u03bf arte.<\/p>\n [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n \u03a3\u03c0\u03bf\u03cd\u03b4\u03b1\u03c3\u03b5 \u03bd\u03bf\u03bc\u03b9\u03ba\u03ac \u03ba\u03b1\u03b9 \u03c3\u03c4\u03c1\u03ac\u03c6\u03b7\u03ba\u03b5 \u03c3\u03c4\u03b7\u03bd \u03b4\u03b7\u03bc\u03bf\u03c3\u03b9\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 \u03bc\u03b5 \u03b5\u03b9\u03b4\u03b9\u03ba\u03cc\u03c4\u03b7\u03c4\u03b1 \u03c4\u03bf\u03bd \u03ba\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf, \u03c4\u03b7\u03bd \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae \u03ba\u03b1\u03b9 \u03c4\u03bf \u03b2\u03b9\u03b2\u03bb\u03af\u03bf. \u0395\u03c7\u03b5\u03b9 \u03c0\u03ac\u03c1\u03b5\u03b9 \u03c3\u03c5\u03bd\u03b5\u03bd\u03c4\u03b5\u03cd\u03be\u03b5\u03b9\u03c2 \u03c3\u03b5 \u03ba\u03b1\u03bb\u03bb\u03b9\u03c4\u03ad\u03c7\u03bd\u03b5\u03c2, \u03cc\u03c0\u03c9\u03c2 \u03bf\u03b9 <\/span>Lou Reed, Sam Shepard, Luc Besson, Bertrand Tavernier, Atom Egoyan, Peter Gabriel, Dizzy Gillespie, Nick Cave, \u039carianne Faithfull, Jarvis Cocker, Eric Burdon, Romain Gavras, Guillermo Navarro. \u0395\u03c1\u03b3\u03ac\u03c3\u03c4\u03b7\u03ba\u03b5 \u03c9\u03c2 \u03c5\u03c0\u03b5\u03cd\u03b8\u03c5\u03bd\u03b7 \u03a4\u03cd\u03c0\u03bf\u03c5 \u03ba\u03b1\u03b9 \u0395\u03c0\u03b9\u03ba\u03b5\u03c6\u03b1\u03bb\u03ae\u03c2 \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03bf\u03cd \u03c0\u03c1\u03bf\u03b3\u03c1\u03ac\u03bc\u03bc\u03b1\u03c4\u03bf\u03c2 \u03c3\u03c4\u03bf \u03a6\u03b5\u03c3\u03c4\u03b9\u03b2\u03ac\u03bb \u0398\u03b5\u03c3\u03c3\u03b1\u03bb\u03bf\u03bd\u03af\u03ba\u03b7\u03c2, \u03b1\u03bb\u03bb\u03ac \u03ba\u03b1\u03b9 \u03c9\u03c2 marketing Director \u03ba\u03b1\u03b9 promoter \u03c3\u03b5 \u03c0\u03bf\u03bb\u03bb\u03ac \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ac event \u03ba\u03b1\u03b9 \u03c3\u03c5\u03bd\u03b1\u03c5\u03bb\u03af\u03b5\u03c2. \u03a4\u03b1 \u03c4\u03b5\u03bb\u03b5\u03c5\u03c4\u03b1\u03af\u03b1 \u03c7\u03c1\u03cc\u03bd\u03b9\u03b1 \u03b5\u03c1\u03b3\u03ac\u03b6\u03b5\u03c4\u03b1\u03b9 \u03c9\u03c2 \u03c3\u03cd\u03bc\u03b2\u03bf\u03c5\u03bb\u03bf\u03c2 \u03ba\u03b1\u03b9 executive producer, \u03b5\u03bd\u03ce \u03c4\u03bf 2017 \u03ad\u03ba\u03b1\u03bd\u03b5 \u03c4\u03bf\u03bd \u03ba\u03b1\u03bb\u03bb\u03b9\u03c4\u03b5\u03c7\u03bd\u03b9\u03ba\u03cc \u03c3\u03c7\u03b5\u03b4\u03b9\u03b1\u03c3\u03bc\u03cc \u03c3\u03c4\u03b7 \u03bc\u03b5\u03b3\u03ac\u03bb\u03b7 \u03c1\u03b5\u03c4\u03c1\u03bf\u03c3\u03c0\u03b5\u03ba\u03c4\u03af\u03b2\u03b1 \u03b3\u03b9\u03b1 \u03c4\u03bf\u03bd \u039d\u03af\u03ba\u03bf \u039d\u03b9\u03ba\u03bf\u03bb\u03b1\u03ca\u03b4\u03b7 \u03b1\u03c0\u03cc \u03c4\u03bf \u0399\u03b4\u03c1\u03c5\u03bc\u03b1 \u039d\u03b9\u03ac\u03c1\u03c7\u03bf\u03c2. \u0391\u03c5\u03c4\u03ae \u03c4\u03b7\u03bd \u03c3\u03c4\u03b9\u03b3\u03bc\u03ae \u03c3\u03c5\u03bd\u03b5\u03c1\u03b3\u03ac\u03b6\u03b5\u03c4\u03b1\u03b9 \u03bc\u03b5 \u03c4\u03bf popaganda \u03ba\u03b1\u03b9 \u03c4\u03bf\u03bd \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03cc Chris James \u03b3\u03b9\u03b1 \u03c4\u03bf \u201cSons of Chaos\u201d \u03c0\u03bf\u03c5 \u03b5\u03af\u03bd\u03b1\u03b9 \u03b5\u03bc\u03c0\u03bd\u03b5\u03c5\u03c3\u03bc\u03ad\u03bd\u03bf \u03b1\u03c0\u03cc \u03c4\u03b7\u03bd \u03b5\u03c0\u03b1\u03bd\u03ac\u03c3\u03c4\u03b1\u03c3\u03b7 \u03c4\u03bf\u03c5 1821.<\/p>\n [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n \u0393\u03b5\u03bd\u03bd\u03ae\u03b8\u03b7\u03ba\u03b5 \u03c4\u03bf 1985 \u03c3\u03c4\u03b7\u03bd \u0393\u03b5\u03c1\u03bc\u03b1\u03bd\u03af\u03b1 \u03ba\u03b1\u03b9 \u03ac\u03c1\u03c7\u03b9\u03c3\u03b5 \u03bd\u03b1 \u03b5\u03c1\u03b3\u03ac\u03b6\u03b5\u03c4\u03b1\u03b9 \u03c9\u03c2 \u03c3\u03c5\u03bd\u03c4\u03bf\u03bd\u03b9\u03c3\u03c4\u03ae\u03c2 \u03c0\u03b1\u03c1\u03b1\u03b3\u03c9\u03b3\u03ae\u03c2 \u03c3\u03c4\u03b9\u03c2 \u03b5\u03c4\u03b1\u03b9\u03c1\u03b5\u03af\u03b5\u03c2 Twenty Twenty Vision \u03ba\u03b1\u03b9 Pallas Film \u03b1\u03c0\u03cc \u03c4\u03bf 2007. \u039f\u03b9 Twenty Twenty Vision \u03ba\u03b1\u03b9 Pallas Film (\u03bc\u03b5 managing director \u03c4\u03bf\u03bd \u0398\u03b1\u03bd\u03ac\u03c3\u03b7 \u039a\u03b1\u03c1\u03b1\u03b8\u03ac\u03bd\u03bf) \u03ba\u03ac\u03bd\u03bf\u03c5\u03bd arthouse \u03c4\u03b1\u03b9\u03bd\u03af\u03b5\u03c2 \u03bc\u03b5 \u03c0\u03bf\u03bb\u03bb\u03ad\u03c2 \u03c3\u03c5\u03bc\u03bc\u03b5\u03c4\u03bf\u03c7\u03ad\u03c2 \u03ba\u03b1\u03b9 \u03b5\u03c0\u03b9\u03c4\u03c5\u03c7\u03af\u03b5\u03c2 \u03c3\u03b5 \u03c6\u03b5\u03c3\u03c4\u03b9\u03b2\u03ac\u03bb, \u03cc\u03c0\u03c9\u03c2 \u03bf\u03b9 \u039a\u03ac\u03bd\u03bd\u03b5\u03c2, \u03c4\u03bf \u0392\u03b5\u03c1\u03bf\u03bb\u03af\u03bd\u03bf \u03ba\u03b1\u03b9 \u03b7 \u0392\u03b5\u03bd\u03b5\u03c4\u03af\u03b1. \u03a4\u03bf 2009 \u03c3\u03c5\u03bc\u03bc\u03b5\u03c4\u03b5\u03af\u03c7\u03b5 \u03c3\u03c4\u03bf post graduate course MEGA PLUS \u03c3\u03c4\u03bf Media Business School \u03ba\u03b1\u03b9 \u03c4\u03bf 2012 \u03c3\u03c5\u03bc\u03bc\u03b5\u03c4\u03b5\u03af\u03c7\u03b5 \u03c3\u03c4\u03bf EP2C post production workshop. \u0395\u03af\u03bd\u03b1\u03b9 \u03bc\u03ad\u03bb\u03bf\u03c2 \u03c4\u03b7\u03c2 \u0395\u03c5\u03c1\u03c9\u03c0\u03b1\u03ca\u03ba\u03ae\u03c2 \u0391\u03ba\u03b1\u03b4\u03b7\u03bc\u03af\u03b1\u03c2 \u039a\u03b9\u03bd\u03b7\u03bc\u03b1\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf\u03c5. \u03a4\u03b1\u03b9\u03bd\u03af\u03b5\u03c2 \u03c4\u03bf\u03c5: \u201cMarek Edelman\u2026 And there was love in the Ghetto\u201d \u2013 \u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1: Jolanda Dylewska, <\/span><\/p>\n \u201cIt must be Heaven\u201d \u2013 \u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1: Elia Suleiman, \u201cAYKA\u201d \u2013\u00a0 <\/span>2018, \u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1: Sergey Dvortsevoy, \u201cSMUGGLING HENRIX\u201d \u2013 2018, \u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1: \u039c\u03ac\u03c1\u03b9\u03bf\u03c2 \u03a0\u03b9\u03c0\u03b5\u03c1\u03af\u03b4\u03b7\u03c2, \u201cMa Loute\u201d \u2013 Line Producer, 2016, \u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1: Bruno Dumont, \u201cElle\u201d \u2013 Line Producer, 2016, \u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1: Paul Verhoeven<\/p>\n [\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":" [vc_row][vc_column width=”1\/3″ css=”.vc_custom_1568037155852{padding-right: 8px !important;padding-left: 8px !important;}” offset=”vc_col-lg-offset-0 vc_col-lg-3 vc_col-md-offset-0 vc_col-md-6 vc_col-sm-offset-0″][vc_empty_space height=”85px”][\/vc_column][vc_column width=”1\/3″ css=”.vc_custom_1568037169652{padding-right: 8px !important;padding-left: 8px !important;}” offset=”vc_col-lg-offset-0 vc_col-lg-3 vc_col-md-offset-0 vc_col-md-6 vc_col-sm-offset-0″][vc_empty_space height=”85px”][\/vc_column][vc_column width=”1\/3″][vc_empty_space height=”85px”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text] Wieland Speck \u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03ad\u03c4\u03b7\u03c2, \u03c3\u03c5\u03b3\u03b3\u03c1\u03b1\u03c6\u03ad\u03b1\u03c2 \u03ba\u03b1\u03b9 curator, o Wieland Speck \u03c5\u03c0\u03ae\u03c1\u03be\u03b5 \u03b4\u03b9\u03b5\u03c5\u03b8\u03c5\u03bd\u03c4\u03ae\u03c2 \u03c4\u03bf\u03c5 \u03a0\u03b1\u03bd\u03bf\u03c1\u03ac\u03bc\u03b1\u03c4\u03bf\u03c2 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-22515","page","type-page","status-publish","hentry"],"yoast_head":"\n<\/h4>\n
\u0388\u03c6\u03b7 \u03a0\u03b1\u03c0\u03b1\u03b6\u03b1\u03c7\u03b1\u03c1\u03af\u03bf\u03c5<\/strong><\/h4>\n
<\/h4>\n
Martin Hampel<\/strong><\/h4>\n
<\/h4>\n